Night of the Demons

LON MILO DUQUETTE SYDNEY LECTURE - Monday 2nd November 2009

INTRODUCTION TO SOLOMONIC MAGICK

(No, not the fabulously schlocky movie starring Amelia Kinkade, sorry folks) 

I proudly brought along my Triangle of Art to this lecture for Lon to display as a prop. He was graciously impressed (although I'm sure he's seen much more beautifully constructed things of that ilk in his extensive travels).

The night opened with probably my favourite quote from Lon the whole time: "The Lesser Key of Solomon deals with spirits we might refer to as infernal. And the reason we might refer to them as infernal is because they come from Hell."

For those who quail at the very thought of invoking a demon from hell, the point was made that sometimes the esoteric is just the opposite of what the exoteric would have us believe (this is the essence of Qabalistic interpretation). Lon sees demons as the heavy machinery of the universe, like massive construction vehicles which are very useful - if you know how to use them safely. If you don't they will quickly become demolition equipment. They are wild forces, but the method of dealing with and controlling them follows a certain formula.Essentially the lecture took the form of Lon relating different stories from his own experience (and one or two from others) which were vastly different in their make-up, but still conformed to this Solomonic formula.

He first related in great detail the story of his first Goetic evocation of Orobas which he relates in My Life With the Spirits and Angels Demons and Gods of the New Millennium (I think). Buy those books for the story - it's fucking hilarious. Especially considering he had to use his child's bedroom to perform the operation: "Now son I'm gonne be in your room for a while, don't come in no matter what you hear."
"What're ya gonna do in there Papa?"
"Papa's gonna evoke a demon in there sport, hopefully he'll be gone by bedtime."

The big lesson in this experience of his for the likes of everyone else is that these demons may be in your head, or they may be external forces, but when you whip up a demon to deal with a problem it IS that problem, and you may have been fighting that demon your entire life - it is essentially creating a now or never, sink or swim situation where the fear and the anguish is confronted head on.

He makes a good point about "barbarous names" in that they have some value in terms of shifting you into a trance state, but using them in the construction of your Circle and/or Triangle may not be the best. The Divine Names you use should be particular to you. As shoudl the Invokation of Supereme Divinity. The prayers and invokations given in the Key of Solomon are not only long-winded and obtuse, but they are a little contradictory. They are basically the magician calling out to God and saying how worthless they are. "I'm pitiful, I'm dirt, I'm so so worthless, I'm not even worthy to lick the spittle dribbling from a slug that is worthy to lick the corner of your toenail, I'm so so shit, I can't do anything right, I'm a sinner, and I can't control myself, Gawd I'm so fucking tragic, I'm just nothing, I'm nothing BUT I WANT TO KNOW THE SECRETS OF THE UNIVERSE!!!!!!!!!!!" Basically all you need to do is call upon that which is Most Divine to you, align yourself with that Divinity, and fill yourself with it. Lon calls it plugging in to upstairs. Essentially, if you trying opening the door to downstairs without having plugged in to upstairs you're going to have one Hell of a fight on your hands.

Lon's invokation is just the most brilliant and astoundingly individual innovation I've encountered in modern magick. On the mundane level, he sings the name of Ganesh 108 to the tune of "Pop Goes the Weasel" (no, really). But on a deeper level, there is the intense affection and love for the hindu god Ganesh that Lon feels. There is the act of expanding your universe and filling it with divinity until there is no space left but it is filled with God. This is followed by pulling all that back into yourself so there is No Thing but your universe, and you in it.

Little tidbits were useful - things the grimoires don't usuallyt explain very well, or do so in such an obtuse and roundabout manner that you're not sure what you're being told to do. For example, when the spirit arrives, you first show it the Pentagram, which binds them, and then show them their sigil on the reverse of the Pentagram - showing them you have bound them. Then you show the Hexagram if need be. Also something Lon has done on occasion when a spirit is being difficult is saying that he won't leave the circle until the spirit complies. As his circle is nothing more than a length of string laid around him, he simply picks this up and tie it around his waist and then go about his business. His innovative methods for threatening spirits were also greatly inspiring.

He related the story of a Catholic girls' school in Los Angeles he performed an exorcism on which was an astounding story probably too long to relate here. He related the sotry of the efficacy of the Goetic spirit Andromalius who is good at finding lost things - and in Lon's experience, specifically cars. My favourite example of this was Lon simple telling a woman who's ex-husband had run off with the car to draw a circle and triangle, call up the spirit with it's sigil and ask it to help. She took this further and drew the circle and triangle in the empty garage, drank and entire bottle of tequila while hurling abuse at the triangle as though it were her ex-husband. The car was miraculously back in her driveway the next morning.

In any case, this lecture made Solomonic evokation seem something I could actually one day perform. It's a question of needing to do it, and I'd still be shit-scared, but I now feel I understand the whole process better. I'm now looking for a perfect way to invoke Divinity for myself. Lon's method is so particular to him, and I can see how powerful it is simply because of that specificity. It excites and inspires me - much like the whole lecture series has done.

Wrapping the whole experience up, I feel invigorated beyond words - as though my world has changed, I've changed, and my magical practice can now never be the same, just like I can't nor can my world.

After the masses had gone I got Lon to sign some books. He drew an hilarious little cartoon of "Baba Lon" in my copy of Ordinary Oracles - after correcting a little editorial mistake he straightaway turned to. I'm now raring to get into some ENochian exploration. We have a group ready to go now - more than the small cabal of four of us from before. Now we have to get it off the ground!

I'll finish with my other favourite quote from Lon which was more serious than humorous was this: "The real magic is becoming Solomon, not doing the Magic." 

Intermission

LON MILO DUQUETTE SYDNEY TOUR INTERLUDE - Monday 2nd November 2009

THE BLUE MOUNTAINS TRIP

So before the first lecture Soror L came up to me and whispered in my ear "What are you doing on Monday?" I said I wasn't sure, but could find out, why? "I'm taking Lon sightseeing in the Blue Mountains and there's a space in my car, do you wanna come?" I said I'd clear my diary regardless of what it took. As it happened I had nothing on and I didn't have to clear anything.

I was picked up bright and early - Soror V was also in attendance. We then headed over to the house Lon was staying in and picked him up. Despite having spent several days in the same room as him and listening to him talk it was still just a wee bit awesome to be chatting to him.

We hopped in the car and headed off. Unfortunately I can't remember every brilliant story he related. I do remember one about some astounding cult-leader in America called Shaknar or something who is a large woman confined to a wheelchair who speaks in a rasp between gasps from an oxygen tank. Apparently they were for a time a vaguely Vodou cult until Shaknar woke up one day and said they were now Goetic magicians and that's what they all started doing. Bizarre. We learnt all about their family possum, which was just a beautiful story. I just loved listening to his accent, which he claimed was Mid-West with a bit of hybridisation. His "here", "art", "fight", "learn" and "take" vowels were the main differences. I need to work out how to insert phonetics in this blog - will make things much easier.

We went to the Common Ground cafe in Katoomba (Lon loved this place name, and rightly so) which is run by the creepy Christian cult called the Twelve Tribes. But let's not hold their cultishness against them TOO much - they make great coffee and the food is tasty, plus the cafe itself is just - so - CUTE. As a button. No really. Everything is made of wood in some way. Plus they have random patches of leather riveted to the wall here and there. And you'll suddenly notice two little hand crafted budgies sitting on a rafter nearby. Plus all the women walk with this bowed posture and skirts right down to their ankles in drab colours, and the men all have creepy adolescent beards. They're so friendly! It's apparently made up primarily of three families and "several single members." Anyway, Lon loved it. I related some of my Enochian Reiki vision to him which he loved. He made the completely obvious observation I can't believe I never made that the gesture the Kings gave me for ChoKuRei was basically a Xi-Rho. We spoke about numerous experiences we'd had in magic, which is always fantastic fun when magicians get together - especially when punctuated by Twelve Tribes members entering, eyes downcast, bearing trays of food and coffee.

We then headed down to the Three Sisters. I'd been many times as a child, and a few times since, but not for a few years lately. We could only do the main lookout as Lon couldn't do the full walk down, but that was enough. He was suitably impressed. Luckily Soror L knew the full story off the top of her head - I'd forgotten it years ago. The huge expanse of the valleys opened out before us and we took photos in the hopes of capturing something weird on film. Many many tourists. By this time the day had heated up a great deal and we were standing int he shade of rocks while looking out over the expanse before us. The lookouts in the Mountains always feel like you're standing in the prow of a ship, thrusting out over the sea of green. Mount Solitary looms in front, and the three huge crags to the left, the echo of waterfalls round to the right. Sublime Point encapsulates this feeling most - especially as it's usually so windy up there. Unfortunately we didn't really have the time to go there.

From the Three Sisters we took a bit of a scenic drive to a few more lookouts before heading to the Norman Lindsay Gallery. For those who don't know Norman Lindsay is one of Australia's most famous artists - who was the subject of the movie Sirens starring Sam Neill and Elle Macpherson. Lindsay lived in a gorgeous house in the Mountains with well-laid English-style gardens, including a man made pool complete with statuary. His house is now a gallery dedicated to his work and the gardens are filled with his sculptures. There was always a very Bacchanalian and Pagan (as was a significant part of the artist's life!) theme to his work and it's really one of a kind. We bought him a print of one of his more occult etchings on behalf of the eCT. I bought a print of "Visitants from the Moon." (right)

We had a leisurely coffee and cake at the gallery cafe before heading back down the Lapstone hill way and back to civilisation. A really unique and special day.

The Sorors and I left Lon to prepare for his final lecture that night on Solomonic Magic. We had a drink at the nearby pub before returning to pick him up - he gave us a quick rendition of his new Christmas song "If We Believed... Hilarious.

Qabalah Water

LON MILO DUQUETTE SYDNEY LECTURE - Saturday 1st November 2009

QABALAH - ZEN OF THE WEST (PART 2)

So where were we...? Ah yes! The beginning - 913 - BRAShYTh. Literally this means "In the beginning..." as I understand - but it's also interesting to note that BRA means "created" and ShYTh means "six." Doesn't really need much explanation. BR = pure, a field, son. RASh = a head. ASh = fire. I could even go further and say that there's a Head (RASh) in a House (BYTh) B - RASh - YTh. Which suggests to me the House of God, the Primum Mobile, etc.

So yes. In the beginning there is Nothing. Makes sense really. But this is a very special kind of Nothing - AYN (Ain) to be specific. This Nothing is so absolute that you can't even think about it. This is very appropriate really. If someone asks you "What is the supreme creative force?" you could say "God" or "Elohim" or some such. If someone then asks you what comes before God, you could say "Nothing." "What can you say about God?" "Nothing." This appeals to me, because nothing irks me more than people who think God is an old man with a white beard. Or that He is a Man at all. Or any single figure with any single specific mind and direct active will (see my previous post about Rabbi Cooper's "God-ing") That old man might be YHVH - the Demiurge, or creator God that THINKS it is God but is NOT God. Or he might not be.Having NO God before Him might more appropriately be rendered as having NOTHING before Him. No Thing comes before Elohim.

In any case imagine we have Nothing - No Thing. Or rather don't because you can't. From this No Thing-ness proceeds another kind of Nothing: AYN SVP (Ain Soph) - No Limit, Limitlessness. Infinity. In a way this is the corollary of trying to conceive of No Thing. Ain is impossible for our human minds to grasp. Infinity is just about as impossible, but a little easier to think about. If we are to go with the Creator idea, it's almost as if Nothingness realised how perfect it was and simultaneously and necessarily realised what it was Not - numerous beautiful renderings of this realisation exist - Robert Fludd had a whole series depicting this process. Nothingness contracts into itself, realising the Infinity it encompassed and at the same time was Not. In the space that was the diference between Ain and Ain Soph there is the third special kind of Nothing - AYN SVP AVR (Ain Soph Aur) - No Limit to the Light, Limitless Light.

AYN SVP AVR = 414 (non finals) = going forth (MShVTTYM) = Meditation (HGVTh) = Kadish or mourning prayer (QDYSh).

The realisation of Limitless Light appears to be - for the Creative Force involved, at once an active and a passive process. It is a going forth, yet it is a meditation - not that, as many esoteric traditions teach, meditation has to be passive. The link to Kadish or a mourning prayer is only right consdiering the Qabalaistic perspective of Creation(-ing) as a process of degradation or distancing from the God. The Perfect Nothing has realised it's Perfection, and in realising this Perfection, it realises Imperfection and begins the path to Manifestation that will eventually end in Malkuth. Because as Lon put it, saying that Nothing is Not means that Something Is. And that Something is One.

HOORAY!!!!! SOMETHING we can think about! ONE! This is the Crown, Kether - the Smooth Point, the Inscrutable Height or the Inner Light, as it is variously called. The God name of Kether is Eheieh (AHIH - 21) - "I Am" - the Divine Breath has been exhaled in a sigh upon realisation of Imperfection and it's first whispered words are self-identification.

From here the process of manifestation as represented in the Tree of Life diagram is extensively well attested in innumerable Qabalistic works. In a faint echo of the workings of Ain-Ain Soph-Ain Soph Aur, One percieves it's Oneness, and in order to do this must create duality - Two, Chokmah - as soon as this duality is created, the Ternary follows in order to be able to perceive this Duality - Three, Binah. All this is One thinking about itself. From here One crosses the Abyss from idea to actuality, giving rise to the 4th, 5th and 6th Sephiroth, which are reflected again, and finally manifest in Malkuth.

We had an interesting discussion about how Malkuth comes forth - specifically on the established Tree of Life diagram. Some highly secular analogies involving the One "pushing out" the Earth of Malkuth if you cathc my drift. All very amusing. Some theories mentioned about Malkuth originally having been higher on the Tree and being pushed down. For me it encapsulated the "Kether is in Malkuth and Malkuth is in Kether, but after another manner." Malkuth is the Kether of the Lower Worlds - showing us that Creation(-ing) is an unceasing outpouring.

From there we examined some Gematria, which is always fun, and a bit of Notariqon, etc. We all looked at our own names. Tried making them into squares. So a 3-letter name makes a 9-square grid. Then in the centre one can put a letter of choice depending on what sort of talisman or links you wish to make with your name. I was a bit astounded at the number of people there who had either never encountered this concept, or who simply couldn't grasp it. I've not got a particularly mathematical mind, but I do have a linguistic mind. I sometimes forget that Itaqke some things for granted too. But a couple of people there I know have been engaging in occult thought for decades, and still hadn't really encountered Gematria before.

All in all nothing drastically new in the day, but Lon really manages to make a lot of these vast and complex ideas very approachable. His explanation of Ain-Ain Soph-Ain Soph Aur was fantastic. He also gave us all a little card certifying us as Chicken Qabalists, which is just hilarious. I had him sign the back of it on the Monday as the Rabbi Lamed Ben Clifford. I'm getting it laminated.

The working through of his "10 Command-rants" was also excellent - I highly recommend everyone getting his book The Chicken Qabalah of Rabbi Lamed ben Clifford.

Next up is GOETIA!